The Revolution will not be Entertainment
It is a passion for the world's cultural legacy, that after the turn of the 20th Century, after the cultural labor has been worked (and re-worked) again and again, that the paint is once again scraped to the point of a singular limit in two dimensions. Finally, by structuring the physical possibilities of paint, a meltdown results in the beautiful order, and makes the global experience inchoate. If we do not look for a cause, it is because of that metaphysical overview, which is deduced, as if it were a reproduction of an image of the world. Consider a feedback loop in audio engineering, how it is like the operation of the art world in its influence upon the theory of revolution, which will, in turn, be decided by the participating artists/activists. It is in the effects—even the seemingly unsolvable technical difficulties—and order of related historical structures, that the ontology of the metaphysical question will be solved by a method which answers the question; what is the doctrine of Dialectical Materialism? To commit a political attack only in the attempt to disprove subversion supplants rhetorical dissent—only to avert a relevant precedent—all in the name of the social-realist tradition. It is a doctrine which causes friction at all points preventing reconciliation on every side.